Jessica Anthony

Light Paperback (1 lb or less)

Texas

From "one of our most thrilling and singular innovators on the page" (Laura Van Den Berg), a tightly wound, consuming tale for readers of Claire Keegan and Ian McEwan, about a 1950s American housewife who decides to get into the pool in her family's apartment complex one morning and won't come out. It is an unseasonably warm Sunday in November 1957. Katheen, a college tennis champion turned Delaware housewife, decides not to join her flagrantly handsome life insurance salesman husband, Virgil, or their two young boys, at church. Instead, she takes a dip in the kidney-shaped swimming pool of their apartment complex. And then she won't come out. A consuming, single-sitting read set over the course of eight hours, THE MOST breaches the shimmering surface of a seemingly idyllic mid-century marriage, immersing us in the unspoken truth beneath. As Sputnik 2 orbits the earth carrying Laika, the doomed Soviet dog, Kathleen and Virgil hurtle towards each other until they arrive at a reckoning that will either shatter their marriage, or transform it, at last, into something real.

The Most

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Johnny Compton

Paperback (1 to 2 lbs)

A Novel

The Spite House

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Idra Novey

A New York Times Notable Book of 2023 A Best Book of the Year: The New Yorker, L.A. Times, Boston Globe, NPR, The Guardian Author Pick, and Today Longlisted for the 2024 Dublin Literary Award Longlisted for 2024 Joyce Carol Oates Prize “A heart-rending book, but also a beautiful celebration of ‘the glorious pleasure of erecting something new,’ be it a work of art or a human connection.”—The Wall Street Journal From “one of the finest and bravest novelists at work today,” (Vulture) award-winning writer Idra Novey has conjured a novel of “astonishing and singular” honesty (Rumaan Alam) with two determined, unforgettable female voices. Set in the Allegheny Mountains of Appalachia, Take What You Need traces the parallel lives of Jean and her beloved but estranged stepdaughter, Leah, who’s sought a clean break from her rural childhood. In Leah’s urban life with her young family, she’s revealed little about Jean, how much she misses her stepmother’s hard-won insights and joyful lack of inhibition. But with Jean’s death, Leah must return to sort through what’s been left behind. What Leah discovers is staggering: Jean has filled her ramshackle house with giant sculptures she’s welded from scraps of the area’s industrial history. There’s also a young man now living in the house who played an unknown role in Jean’s last years and in her art. With great verve and humor, Idra Novey zeros in on the joys and difficulty of family, the ease with which we let distance mute conflict, and the power we can draw from creative pursuits. Take What You Need explores the continuing mystery of the people we love most with passionate and resonance, this novel illuminating can be built from what others have discarded—art, unexpected friendship, a new contentment of self. This is Idra Novey at her very best.

Take What You Need

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Riley Sager

THE INSTANT NEW YORK TIMES BESTSELLER Named a summer book to watch by The Washington Post, Boston Globe, USA Today, Oprah, Paste, Country Living, Good Housekeeping, and Nerd Daily "Propulsive ... a dizzying Gothic whodunit." —New York Times Book Review Bestselling author Riley Sager returns with a Gothic chiller about a young caregiver assigned to work for a woman accused of a Lizzie Borden-like massacre decades earlier. At seventeen, Lenora Hope Hung her sister with a rope Now reduced to a schoolyard chant, the Hope family murders shocked the Maine coast one bloody night in 1929. While most people assume seventeen-year-old Lenora was responsible, the police were never able to prove it. Other than her denial after the killings, she has never spoken publicly about that night, nor has she set foot outside Hope’s End, the cliffside mansion where the massacre occurred. Stabbed her father with a knife Took her mother’s happy life It’s now 1983, and home-health aide Kit McDeere arrives at a decaying Hope’s End to care for Lenora after her previous nurse fled in the middle of the night. In her seventies and confined to a wheelchair, Lenora was rendered mute by a series of strokes and can only communicate with Kit by tapping out sentences on an old typewriter. One night, Lenora uses it to make a tantalizing offer—I want to tell you everything. “It wasn’t me,” Lenora said But she’s the only one not dead As Kit helps Lenora write about the events leading to the Hope family massacre, it becomes clear there’s more to the tale than people know. But when new details about her predecessor’s departure come to light, Kit starts to suspect Lenora might not be telling the complete truth—and that the seemingly harmless woman in her care could be far more dangerous than she first thought.

The Only One Left

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Ray Russell

Laird Barron

Teenager Susan Garth was "a clean-talking sweet little girl" of high school age before she started having "fits"-a sudden aversion to churches and a newfound fondness for vulgarity. Then one night, she strips in front of the parish priest and sinks her nails into his throat. If not madness, then the answer must be demonic possession. To vanquish the Devil, Bishop Crimmings recruits Father Gregory Sargent, a younger priest with a taste for modern ideas and brandy. As the two men fight not just the darkness tormenting Susan but also one another, a soul-chilling revelation lurks in the shadows-one that knows that the darkest evil goes by many names.

The Case Against Satan

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Shirley Jackson

Laura Miller

An anthropologist conducts an unusual research project in a reputedly haunted house.

The Haunting of Hill House

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Abigail Trevino

Abigail Trevino

@simply_abigail

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Jessica Anthony

The Most

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The Spite House

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Take What You Need

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Ray Russell; Laird Barron

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The Haunting of Hill House

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Jessica Anthony

The Most

Johnny Compton

The Spite House

Idra Novey

Take What You Need

Riley Sager

The Only One Left

Ray Russell; Laird Barron

The Case Against Satan

Shirley Jackson; Laura Miller

The Haunting of Hill House

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