Lucy A. Snyder

Paperback (1 to 2 lbs)

Washington

Sister, Maiden, Monster is a visceral story set in the aftermath of our planet's disastrous transformation and told through the eyes of three women trying to survive the nightmare, from Bram Stoker Award-winning author Lucy A. Snyder.

To survive they must evolve.

A virus tears across the globe, transforming its victims in nightmarish ways. As the world collapses, dark forces pull a small group of women together.

Erin, once quiet and closeted, acquires an appetite for a woman and her brain. Why does forbidden fruit taste so good?

Savannah, a professional BDSM switch, discovers a new turn-on: committing brutal murders for her eldritch masters.

Mareva, plagued with chronic tumors, is too horrified to acknowledge her divine role in the coming apocalypse, and as her growths multiply, so too does her desperation.

Inspired by her Bram Stoker Award-winning story "Magdala Amygdala," Lucy A. Snyder delivers a cosmic tale about the planet's disastrous transformation ... and what we become after.

Sister, Maiden, Monster

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Lauren Beukes

Light Paperback (1 lb or less)

Zinzi December has a Sloth on her back, a dirty 419 scam habit, and a talent for finding lost things. But when a little old lady turns up dead and the cops confiscate her last paycheck, she's forced to take on her least favourite kind of job - missing persons.

The acclaimed second novel from the author of Moxyland.

"Lauren Beukes is very, *very* good... it feels effortless, utterly accomplished." - William Gibson

Zoo City

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J. P. Behrens

We Don't Talk Anymore and Other Dark Fictions

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Sean Adams

Light Hardcover (1 lb or less)

A Novel





From the critically acclaimed author of The Heap, a thought-provoking and wryly funny novel--equal parts satire and psychological thriller--that holds a funhouse mirror to the isolated workplace and an age of endless distraction. 

At the far reaches of the world, the Northern Institute sits in a vast expanse of ice and snow. Once a thriving research facility, its operations were abruptly shut down after an unspecified incident, and its research teams promptly evacuated. Now it's home to a team of three caretakers--Gibbs, Cline, and their supervisor, Hart--and a single remaining researcher named Gilroy, who is feverishly studying the sensation of coldness.

Their objective is simple: occupy the space, complete their weekly tasks, and keep the building in working order in case research ever resumes. (Also: never touch the thermostat. Also: never, ever go outside.) The work isn't thrilling--test every door for excessive creaking, sit on every chair to ensure its structural integrity--but for Hart, it's the opportunity of a lifetime, a chance to hone his leadership skills and become the beacon of efficiency he always knew he could be.

There's just one obstacle standing in his way: a mysterious object that has appeared out in the snow. Gibbs and Cline are mesmerized. They can't discern its exact shape and color, nor if it's moving or fixed in place. But it is there. Isn't it

Whatever it might be, Hart thinks the thing in the snow is an unwelcome distraction, and probably a huge waste of time. Though, come to think of it, time itself has been a bit wonky lately. Weekends pass in a blur, and he can hardly tell day from night. Gravity seems less-than-reliable. The lights have been flickering weirdly, and he feels an odd thrumming sensation in his beard. Gibbs might be plotting to unseat him as supervisor, and Gilroy--well, what is he really doing anyway

Perplexed and isolated--but most certainly not alone--Hart wrestles for control of his own psyche as the thing in the snow beguiles his team, upends their work, and challenges their every notion of what is normal.

The Thing in the Snow

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T. C. Parker

Salvation Spring

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Craig DiLouie

From Bram Stoker Award‑nominated author Craig DiLouie comes a darkly humorous horror novel that sees a famous 80s slasher director set out to shoot the most terrifying horror movie ever made using an occult camera that might be (and probably is) demonic. Horror isn't horror unless it's real. Max Maury should be on top of the world. He's a famous horror director. Actors love him. Hollywood needs him. He's making money hand over fist. But it's the 80s, and he's directing cheap slashers for audiences who only crave more blood, not real art. Not real horror. And Max's slimy producer refuses to fund any of his new ideas. Sally Priest dreams of being the Final Girl. She knows she's got what it takes to score the lead role, even if she's only been cast in small parts so far. When Sally meets Max at his latest wrap party, she sets out to impress him and prove her scream queen prowess. But when Max discovers an old camera that filmed a very real Hollywood horror, he knows that he has to use this camera for his next movie. The only problem is that it came with a cryptic warning and sometimes wails. By the time Max discovers the true evil lying within, he's already dead set on finishing the scariest movie ever put to film, and like it or not, it's Sally's time to shine as the Final Girl.

How to Make a Horror Movie and Survive

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Leopoldo Gout





In this chilling first novel by filmmaker, composer, and graphic novelist Leopoldo Gout, a ghost story call-in program opens a doorway into the paranormal.

"Ghost Radio reminded me of early Stephen King. The story sticks with you long after you've finished the final page." --James Patterson

From the cramped bowels of a dimly lit radio station, Ghost Radio is beamed onto the airwaves. More than a call-in show to tell scary stories about vampires and poltergeists, Ghost Radio is a sanctuary for those sleepless denizens of the night, lost halfway between this world and the next.

Joaquin, the hip, melancholy host, sits deep in a fog of cigarette smoke, fielding calls from believers and detractors alike. He is joined in the booth by his darkly beautiful girlfriend, Alondra, and his engineer, Watts. Soon what began as an underground cult sensation is primed to break out to mainstream audiences. When a huge radio conglomerate offers to syndicate the show and Ghost Radio becomes a national hit with an expanding legion of hardcore fans, neither Joaquin, Alondra, nor Watts is remotely prepared for what is about to happen.

When Joaquin notices a curious and troubling phenomenon, he is inexplicably drawn further and further into the terrifying stories he solicits on the radio. As he slowly loses control over his reality and finds himself unable to distinguish between the real world and the world populated by the nightmares on Ghost Radio, he's forced to confront his past and his own mortality in order to repair the crumbling wall between the living and the dead.

 

Ghost Radio

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Kayla Cottingham

From the author of the New York Times bestselling My Dearest Darkest comes another incredible sapphic horror. When four best friends with a hunger for human flesh attend a music festival in the desert they discover a murderous plot to expose and vilify the girls and everyone like them. This summer is going to get gory.

Two years ago, a small percentage of population underwent a transformation known as the Hollowing. Those affected were only able to survive by consuming human flesh. The people who went without quickly became feral, turning on their friends and family. Luckily, scientists were able to create a synthetic version of human meat that would satisfy their hunger. As a result, humanity slowly began to return to normal.

Cut to Zoey, Celeste, Valeria, and Jasmine, four hollow girls living in Southern California. As a last hurrah before graduation they decide to attend a musical festival in the heart of the desert. They have a cooler filled with seltzer, vodka, and Synflesh... and are ready to party. 

But on the first night of the festival Val goes feral and ends up killing and eating a boy in one of the bands. As other festival guests start disappearing around them the girls soon discover someone is targeting people like them. And if they can't figure out how to stop it, and soon, no one at the festival is getting out alive.

This Delicious Death

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Kate Alice Marshall

Hardcover (1 to 2 lbs)

No One Can Know

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I Was A Teenage Slasher 

Eric LaRocca

Three dark and disturbing horror stories from an astonishing new voice, including the viral-sensation tale of obsession, Things Have Gotten Worse Since We Last Spoke. For fans of Kathe Koja, Clive Barker and Stephen Graham Jones. Winner of the Splatterpunk Award for Best Novella.

A whirlpool of darkness churns at the heart of a macabre ballet between two lonely young women in an internet chat room in the early 2000s--a darkness that threatens to forever transform them once they finally succumb to their most horrific desires. 

A couple isolate themselves on a remote island in an attempt to recover from their teenage son's death, when a mysterious young man knocks on their door during a storm...

And a man confronts his neighbour when he discovers a strange object in his back yard, only to be drawn into an ever-more dangerous game.

Three devastating, beautifully written horror stories from one of the genre's most cutting-edge voices.

What have you done today to deserve your eyes?

Things Have Gotten Worse since We Last Spoke and Other Misfortunes

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William Zeckendorf

Heavy Paperback (2 to 4 lbs)

The Autobiograpy of the Man Who Played a Real-Life Game of Monopoly and Won the Largest Real Estate Empire in History

Not since the days of the Louisiana Purchase has America seen any bigger real estate transactions than those executed by William Zeckendorf, the derring-do head of Webb & Knapp. Figuring with supersonic speed and an uncanny flair for making money, the flamboyant impresario bought and sold property, remodeled whole sections of New York, Denver, Washington, Montreal and Dallas, and moved the UN, the capital of the world, to New York. At the peak of his power, William Zeckendorf was a man with the Midas touch in an age of computers. From his windowless teakwood igloo office set in a white marble lobby, William Zeckendorf played a real-life game of Monopoly and won the largest real estate empire in the world - so large, in fact, that Wall Street tottered when he went bankrupt. And bankrupt he was, but never in spirit. An autobiography bursting with vitality, enthusiasm and financial know-how, Mr. Zeckendorf reveals himself as a visionary whose creativeness and sense of adventure are matched only by his unalloyed joy at being able to successfully juggle a dozen incredibly complicated transactions at once. The spectacular Mr. Zeckendorf, who has fished for piranhas in South America and sold ships to the Greeks at profit, comes to life in this autobiography. You will not want to miss meeting him.

Zeckendorf

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@nw.reader941623

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Lucy A. Snyder

Sister, Maiden, Monster

Lauren Beukes

Zoo City

J. P. Behrens

We Don't Talk Anymore and Other Dark Fictions

Sean Adams

The Thing in the Snow

T. C. Parker

Salvation Spring

Craig DiLouie

How to Make a Horror Movie and Survive

Leopoldo Gout

Ghost Radio

Kayla Cottingham

This Delicious Death

Kate Alice Marshall

No One Can Know

Stephen Graham Jones

I Was A Teenage Slasher

Eric LaRocca

Things Have Gotten Worse since We Last Spoke and Other Misfortunes

William Zeckendorf

Zeckendorf

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Lucy A. Snyder

Sister, Maiden, Monster

Lauren Beukes

Zoo City

J. P. Behrens

We Don't Talk Anymore and Other Dark Fictions

Sean Adams

The Thing in the Snow

T. C. Parker

Salvation Spring

Craig DiLouie

How to Make a Horror Movie and Survive

Leopoldo Gout

Ghost Radio

Kayla Cottingham

This Delicious Death

Kate Alice Marshall

No One Can Know

Stephen Graham Jones

I Was A Teenage Slasher

Eric LaRocca

Things Have Gotten Worse since We Last Spoke and Other Misfortunes

William Zeckendorf

Zeckendorf

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