Emil Ferris

Emil Ferris's My Favorite Thing Is Monsters is one of the most acclaimed graphic novels of the past decade. Set against the tumultuous political backdrop of late ’60s Chicago, the book is presented as the fictional graphic diary of 10-year-old Karen Reyes as she tries to solve the murder of her beloved and enigmatic upstairs neighbor, Anka Silverberg, a holocaust survivor, while the interconnected stories of those around her unfold. Visually, the story is told in Ferris's inimitable style that breathtakingly and seamlessly combines panel-to-panel storytelling and cartoon montages filled with B-movie horror and pulp monster mag iconography.

Heavy Paperback (2 to 4 lbs)

California

Set against the tumultuous political backdrop of late ’60s Chicago, My Favorite Thing Is Monsters is the fictional graphic diary of 10-year-old Karen Reyes, filled with B-movie horror and pulp monster magazines iconography. Karen Reyes tries to solve the murder of her enigmatic upstairs neighbor, Anka Silverberg, a holocaust survivor, while the interconnected stories of those around her unfold. When Karen’s investigation takes us back to Anka’s life in Nazi Germany, the reader discovers how the personal, the political, the past, and the present converge.

My Favorite Thing Is Monsters

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Olga Tokarczuk

Jennifer Croft

WINNER OF THE NOBEL PRIZE IN LITERATURE

WINNER OF THE MAN BOOKER INTERNATIONAL PRIZE

NATIONAL BOOK AWARD FINALIST FOR TRANSLATED LITERATURE

A visionary work of fiction by "A writer on the level of W. G. Sebald" (Annie Proulx)

"A magnificent writer." — Svetlana Alexievich, Nobel Prize-winning author of Secondhand Time

"A beautifully fragmented look at man's longing for permanence.... Ambitious and complex." — Washington Post

From the incomparably original Polish writer Olga Tokarczuk, Flights interweaves reflections on travel with an in-depth exploration of the human body, broaching life, death, motion, and migration. Chopin's heart is carried back to Warsaw in secret by his adoring sister. A woman must return to her native Poland in order to poison her terminally ill high school sweetheart, and a young man slowly descends into madness when his wife and child mysteriously vanish during a vacation and just as suddenly reappear. Through these brilliantly imagined characters and stories, interwoven with haunting, playful, and revelatory meditations, Flights explores what it means to be a traveler, a wanderer, a body in motion not only through space but through time. Where are you from? Where are you coming in from? Where are you going? we call to the traveler. Enchanting, unsettling, and wholly original, Flights is a master storyteller's answer.

Hardcover (1 to 2 lbs)

WINNER OF THE NOBEL PRIZE IN LITERATURE
 
WINNER OF THE MAN BOOKER INTERNATIONAL PRIZE

NATIONAL BOOK AWARD FINALIST FOR TRANSLATED LITERATURE

A visionary work of fiction by "A writer on the level of W. G. Sebald" (Annie Proulx)

"A magnificent writer." -- Svetlana Alexievich, Nobel Prize-winning author of Secondhand Time

"A beautifully fragmented look at man's longing for permanence.... Ambitious and complex." -- Washington Post

From the incomparably original Polish writer Olga Tokarczuk, Flights interweaves reflections on travel with an in-depth exploration of the human body, broaching life, death, motion, and migration. Chopin's heart is carried back to Warsaw in secret by his adoring sister. A woman must return to her native Poland in order to poison her terminally ill high school sweetheart, and a young man slowly descends into madness when his wife and child mysteriously vanish during a vacation and just as suddenly reappear. Through these brilliantly imagined characters and stories, interwoven with haunting, playful, and revelatory meditations, Flights explores what it means to be a traveler, a wanderer, a body in motion not only through space but through time. Where are you from? Where are you coming in from? Where are you going? we call to the traveler. Enchanting, unsettling, and wholly original, Flights is a master storyteller's answer.

Flights

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Richard Ford

This trilogy of brilliant novels-The Sports-
writer, Independence Day, and The Lay of the Land charts the life and times of one of the most beloved and enduring characters in modern fiction When we meet Frank Bascombe in The Sportswriter, his unguarded voice instantly wins us over and pulls us into a life that has been irrevocably changed by the loss of a marriage, a career, and the death of his child. We then follow Frank, ever brilliantly and hilariously observant, through Independence Day and The Lay of the Land, witnessing his fortune's rise and his family's fragmentation and reintegration. With finely honed prose and an eye that captures the most subtle nuances of the human condition in all its pathos, humor, beauty, and strangeness, Richard Ford transforms Frank Bascombe's life into a riveting, moving parable of life in America today.

Heavy Hardcover (2 to 4 lbs)

Written and Introduced by Richard Ford

A trilogy of brilliant novels—The Sportswriter, the Pulitzer Prize-winning Independence Day, and The Lay of the Land—that charts the life and times of Frank Bascombe, one of the most beloved and enduring characters in modern fiction. When we meet Frank Bascombe in The Sportswriter, his unguarded voice instantly wins us over and pulls us into a life that has been irrevocably changed—by the loss of a marriage, a career, a child. We then follow Frank, ever laconic and observant, through Independence Day and The Lay of the Land, witnessing his fortune’s rise and his family’s fragmentation. With finely honed prose and an eye that captures the most subtle nuances of the human condition—all its pathos and beauty and strangeness—Ford transforms this ordinary man’s life into a riveting, moving parable of life in America today.

The Bascombe Novels

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Juan. Goytisolo

Helen Lane


JUAN GOYTISOLO MAKBARA 
a comic, smiling parody that mirrors in reverse the agitation, the frenzy, the commotion of operation on the New York Stock Exchange during its frequent gales of euphoric optimism or gusts of panic, when the Dow Jones average suddenly shoots upward or suddenly tumbles amid the frantic shouts of customers, the dizzying shifts in the figures posted on the big board, the frantic clatter of the stock tickers the rapid-fire gibberish of the professional traders. 

In Arabic, the word Makbara' refers to those parts of North African cemeteries where young couples go to get away from their elders and hang out. A celebration of amour fou, Makbara reveals Goytisolo's deep love for Arab culture seen as sensuous and lewd in contrast to the drab sterility of the West. In a series of scenes pastiches and traveling shots, Goytisolo exposes cultural, sexual and political oppression. The author's message, delivered in polyphonic style, is of liberation through sex which as he says 'is above all freedom'.

Light Paperback (1 lb or less)

Makbara

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Saadat Hasan Manto

Khalid Hasan

Aatish Taseer

Muhammed Umar Memon

Vijay Seshadri

Saadat Hasan Manto conjures the vitality of the streets of Bombay- its prostitutes, pimps, artists, gangsters, rickshaw drivers, and strays. He probes the pain and bewilderment of the Hindus, Muslims, and Sikhs ripped apart by the India-Pakistan Partition. Manto is best known for his merciless examination of the violence, horror, and reverberations from the Partition: a stray dog is caught in the crossfire on the threshold of Pakistan and India, friendly neighbors turned enemy soldiers pause for tea together in a momentary cease-fire. Manto shines an incandescent light on human truth with an unflinching a preface by Pulitzer Prize-winning poet Vijay Seshadri, this comprehensive collection 1S essential reading for our current moment where divisiveness erupts into violence everywhere we turn. 



Paperback (1 to 2 lbs)

Stories

The Dog of Tithwal

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Mark Helprin

Winner of the National Jewish Book Award and nominee for both the PEN/Faulkner Award and the American Book Award, these ten stories and the celebrated title novella are “beyond compare . . . [Helprin’s] imagination should be protected by some intellectual equivalent of the National Park Service” (The Philadelphia Inquirer).


Ellis Island and Other Stories

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David Szalay

A Novel

Here are nine men. Each of them is at a different stage in life, each of them is away from home, and each of them is striving - in the suburbs of Prague, in an over-developed Alpine village, beside a Belgian motorway, in a crap Cypriot hotel - to understand just what it means to be alive, here and now. Vibrating with detail and intelligence, pathos and surprise, All That Man Is is a portrait of contemporary manhood, contemporary Europe and contemporary life from a British writer of supreme gifts - the master of a new kind of realism.--Publisher description.

All That Man Is

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Gaito Gazdanov

Of all my memories, of all my life's innumerable sensations, the most onerous was that of the single murder I had committed.' A man comes across a short story which recounts in minute detail his killing of a soldier, long ago - from the victim's point of view. It's a story that should not exist, and whose author can only be a dead man. So begins the strange quest for the elusive writer 'Alexander Wolf'. A singular classic, The Spectre of Alexander Wolf is a psychological thriller and existential inquiry into guilt and redemption, coincidence and fate, love and death.

The Spectre of Alexander Wolf

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Natalie Diaz

Poems

WINNER OF THE 2021 PULITZER PRIZE IN POETRY FINALIST FOR THE 2020 NATIONAL BOOK AWARD FOR POETRY Natalie Diaz’s highly anticipated follow-up to When My Brother Was an Aztec, winner of an American Book Award Postcolonial Love Poem is an anthem of desire against erasure. Natalie Diaz’s brilliant second collection demands that every body carried in its pages—bodies of language, land, rivers, suffering brothers, enemies, and lovers—be touched and held as beloveds. Through these poems, the wounds inflicted by America onto an indigenous people are allowed to bloom pleasure and tenderness: “Let me call my anxiety, desire, then. / Let me call it, a garden.” In this new lyrical landscape, the bodies of indigenous, Latinx, black, and brown women are simultaneously the body politic and the body ecstatic. In claiming this autonomy of desire, language is pushed to its dark edges, the astonishing dunefields and forests where pleasure and love are both grief and joy, violence and sensuality. Diaz defies the conditions from which she writes, a nation whose creation predicated the diminishment and ultimate erasure of bodies like hers and the people she loves: “I am doing my best to not become a museum / of myself. I am doing my best to breathe in and out. // I am begging: Let me be lonely but not invisible.” Postcolonial Love Poem unravels notions of American goodness and creates something more powerful than hope—in it, a future is built, future being a matrix of the choices we make now, and in these poems, Diaz chooses love.

Postcolonial Love Poem

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Brenda Shaughnessy

Collects the author's poems about a parallel existence in the Andromeda galaxy in which people can relive their lives, correcting mistakes and avoiding pain.

Our Andromeda

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Patrick Modiano

Mark Polizzotti

J. M. G. Le Clézio

In this novel, Modiano weaves together a series of exquisitely crafted stories about such jettisoned boys at the exclusive Valvert School on the outskirts of Paris: abandoned children of privilege, left to create new family ties among themselves

Such Fine Boys

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Flann O'Brien

The great Irish humorist and writer Flann O'Brien, aka Brian O'Nolan, aka Myles na Gopaleen, also wrote a newspaper column called "Cruiskeen Lawn." The Best of Myles collects the best and funniest, covering such subjects as plumbers, the justice system, and improbable inventions.

Best of Myles

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Richard Flanagan

Winner of the Man Booker Prize “Nothing since Cormac McCarthy's The Road has shaken me like this.” —The Washington Post From the author of the acclaimed Gould's Book of Fish, a magisterial novel of love and war that traces the life of one man from World War II to the present. August, 1943: Australian surgeon Dorrigo Evans is haunted by his affair with his uncle's young wife two years earlier. His life, in a brutal Japanese POW camp on the Thai-Burma Death Railway, is a daily struggle to save the men under his command. Until he receives a letter that will change him forever. A savagely beautiful novel about the many forms of good and evil, of truth and transcendence, as one man comes of age, prospers, only to discover all that he has lost.

The Narrow Road to the Deep North

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Norman Manea

Linda Coverdale

In cool, precise prose, and with an unerring sense of the absurd, the four novellas of Compulsory Happiness create a picture of everyday life in a grotesque police state, expressing terror and hope, fear and solidarity, the humorous triviality of the ordinary, and the painful search for an ideal. "Norman Manea's four novellas, written during the later Ceausescu years, offer a comparable contrast to other Eastern European dissident writing. Instead of the energetic irony, the ebullient absurdism, the sharp-eyed wit, we find a dreamy disconnection, a voice that shock has lowered, an air of sweetness driven mad."--Richard Eder, Los Angeles Times "Mr. Manea's voice is radically new, and we are blessedly awakened and alerted by the demand his fiction makes on our understanding."--Lore Segal, New York Times Book Review

Compulsory Happiness

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Deb Olin Unferth

"Deb Olin Unferth's stories are so smart, fast, full of heart, and distinctive in voice--each an intense little thought-system going out earnestly in search of strange new truths. What an important and exciting talent."--George Saunders

For more than ten years, Deb Olin Unferth has been publishing startlingly askew, wickedly comic, cutting-edge fiction in magazines such asGranta, Harper's Magazine,McSweeney's,NOON, andTheParis Review. Her stories are revered by some of the best American writers of our day, but until now there has been no stand-alone collection of her short fiction.

Wait Till You See Me Danceconsists of several extraordinary longer stories as well as a selection of intoxicating very short stories. In the chilling "The First Full Thought of Her Life," a shooter gets in position while a young girl climbs a sand dune. In "Voltaire Night," students compete to tell a story about the worst thing that ever happened to them. In "Stay Where You Are," two oblivious travelers in Central America are kidnapped by a gunman they assume to be an insurgent--but the gunman hashis own problems.

An Unferth story lures you in with a voice that seems amiable and lighthearted, but it swerves in sudden and surprising ways that reveal, in terrifying clarity, the rage, despair, and profound mournfulness that have taken up residence at the heart of the American dream. These stories often take place in an exaggerated or heightened reality, a quality that is reminiscent of the work of Donald Barthelme, Lorrie Moore, and George Saunders, but in Unferth's unforgettable collection she carves out territory that is entirely her own.

Wait till You See Me Dance

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WINNER OF THE MAN BOOKER PRIZE 2014

A BEST BOOK OF THE YEAR
The New York Times, The Washington Post, The Economist, Financial Times, Seattle Times, Minneapolis Star Tribune

 "Some years, very good books win the Man Booker Prize, but this year a masterpiece has won it. . .. Written in prose of extraordinary elegance and force, it bridges East and West, past and present, with a story of guilt and heroism. This is the book that Richard Flanagan was born to write and which now takes its place in the canon of world literature -From the Presentation Speech, Man Booker Prize 2014

Forever after, there were for them only two sorts of men: the men who were on the Line, and the rest of humanity, who were not.

In the despair of a Japanese POW camp on the Burma Death Railway, surgeon Dorrigo Evans is haunted by his love affair with his uncle’s young wife two years earlier. Struggling to save the men under his command from starvation, from cholera, from beatings, he receives a letter that will change his life forever.

This is a story about the many forms of love and death, of war and truth, as one man comes of age, prospers, only to discover all that he has lost

Nobel laureate Patrick Modiano’s spellbinding tale of adolescent schoolmates and the vicissitudes of fate

As a boarding school student in the early 1960s, Patrick Modiano lived among the troubled teenage sons of wealthy but self-involved parents. In this mesmerizing novel, Modiano weaves together a series of exquisitely crafted stories about such jettisoned boys at the exclusive Valvert School on the outskirts of Paris: abandoned children of privilege, left to create new family ties among themselves. Misfits and heroes, sports champions and good-hearted chums, the boys of Valvert misbehave, run away, get expelled, and engage in various forms of delinquency and disappearance. They emerge into adulthood tragically damaged, still tethered to their adolescent selves, powerless to escape the central loneliness of their lives in an ever-darkening spiral of self-delusion and grim consequence.
 
A meditation on nostalgia, the pitfalls of privilege, and the vicissitudes of fate, this book fully demonstrates the powerful mix of sadness, mystery, wonder, and ominous danger that characterizes Modiano’s most rewarding fiction.
 
Special feature: J. M. G. Le Clézio’s foreword, here in English for the first time, provides a rare and insightful appreciation of one Nobel laureate by another.

Compelling tales of terror and paranoia under a repressive regime by the Romanian writer Norman Manea
 
“Norman Manea’s four novellas, written during the later Ceausescu years, offer a comparable contrast to other Eastern European dissident writing. Instead of the energetic irony, the ebullient absurdism, the sharp-eyed wit, we find a dreamy disconnection, a voice that shock has lowered, an air of sweetness driven mad.”—Richard Eder, Los Angeles Times

In cool, precise prose, and with an unerring sense of the absurd, the four novellas of Compulsory Happiness create a picture of everyday life in a grotesque police state, expressing terror and hope, fear and solidarity, the humorous triviality of the ordinary, and the painful search for an ideal.

Jon Mcgregor

Front page cut vertically in half otherwise great condition. Reinforced with book tape!

A New York Times Book Review Editors’ Choice
Longlisted for the Man Booker Prize

A “fiercely intelligent . . . daring, and very moving” about an English village haunted by one family’s loss—for readers of The Virgin Suicides and Zadie Smith’s NW (George Saunders, The Paris Review Daily).

Midwinter in an English village. A teenage girl has gone missing. Everyone is called upon to join the search. The villagers fan out across the moors as the police set up roadblocks and a crowd of news reporters descends on what is usually a place of peace. Meanwhile, there is work that must still be done: cows milked, fences repaired, stone cut, pints poured, beds made, sermons written, a pantomime rehearsed.

As the seasons unfold and the search for the missing girl goes on, there are those who leave the village and those who are pulled back; those who come together and those who break apart. There are births and deaths; secrets kept and exposed; livelihoods made and lost; small kindnesses and unanticipated betrayals. An extraordinary novel of cumulative power and grace, Reservoir 13 explores the rhythms of the natural world and the repeated human gift for violence, unfolding over thirteen years as the aftershocks of a tragedy refuse to subside.

“Jon McGregor has revolutionized that most hallowed of mystery plots: the one where some foul deed takes place in a tranquil English village that . . . doesn’t feel so tranquil anymore.” —The Wall Street Journal

Evoking the spirit of Jeffrey Eugenides' The Virgin Suicides, Zadie Smith's NW, and Hisham Matar's Anatomy of a Disappearance, this novel sweeps the reader up quickly into its understated and emotionally moving story of a whole English village haunted by one family’s loss. Midwinter in an English village. A teenage girl has gone missing. Everyone is called upon to join the search. The villagers fan out across the moors as the police set up roadblocks and a crowd of news reporters descends on what is usually a place of peace. Meanwhile, there is work that must still be done: cows milked, fences repaired, stone cut, pints poured, beds made, sermons written, a pantomime rehearsed. As the seasons unfold and the search for the missing girl goes on, there are those who leave the village and those who are pulled back; those who come together and those who break apart. There are births and deaths; secrets kept and exposed; livelihoods made and lost; small kindnesses and unanticipated betrayals. An extraordinary novel of cumulative power and grace, Reservoir 13 explores the rhythms of the natural world and the repeated human gift for violence, unfolding over thirteen years as the aftershocks of a tragedy refuse to subside. Winner of the Costa Novel Award, Longlisted for the Man Booker Prize 2017, and a New York Times Book Review Editors' Choice

Reservoir 13

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Aoko Matsuda

Polly Barton

In this “delightfully uncanny” collection of feminist retellings of traditional Japanese folktales (The New York Times Book Review), humans live side by side with spirits who provide a variety of useful services—from truth-telling to babysitting, from protecting castles to fighting crime.

A busybody aunt who disapproves of hair removal; a pair of door-to-door saleswomen hawking portable lanterns; a cheerful lover who visits every night to take a luxurious bath; a silent house-caller who babysits and cleans while a single mother is out working. Where the Wild Ladies Are is populated by these and many other spirited women—who also happen to be ghosts. This is a realm in which jealousy, stubbornness, and other excessive “feminine” passions are not to be feared or suppressed, but rather cultivated; and, chances are, a man named Mr. Tei will notice your talents and recruit you, dead or alive (preferably dead), to join his mysterious company.

With Where the Wild Ladies Are, Aoko Matsuda takes the rich, millenia-old tradition of Japanese folktales—shapeshifting wives and foxes, magical trees and wells—and wholly reinvents them, presenting a world in which humans are consoled, guided, challenged, and transformed by the only sometimes visible forces that surround them.

In this "delightfully uncanny" collection of feminist retellings of traditional Japanese folktales (The New York Times Book Review), humans live side by side with spirits who provide a variety of useful services—from truth-telling to babysitting, from protecting castles to fighting crime. A busybody aunt who disapproves of hair removal; a pair of door-to-door saleswomen hawking portable lanterns; a cheerful lover who visits every night to take a luxurious bath; a silent house-caller who babysits and cleans while a single mother is out working. Where the Wild Ladies Are is populated by these and many other spirited women—who also happen to be ghosts. This is a realm in which jealousy, stubbornness, and other excessive “feminine” passions are not to be feared or suppressed, but rather cultivated; and, chances are, a man named Mr. Tei will notice your talents and recruit you, dead or alive (preferably dead), to join his mysterious company. With Where the Wild Ladies Are, Aoko Matsuda takes the rich, millenia-old tradition of Japanese folktales—shapeshifting wives and foxes, magical trees and wells—and wholly reinvents them, presenting a world in which humans are consoled, guided, challenged, and transformed by the only sometimes visible forces that surround them.

Where the Wild Ladies Are

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Chloe Aridjis

One autumn afternoon in Mexico City, seventeen-year-old Luisa does not return home from school. Instead, she boards a bus to the Pacific coast with Tomás. a boy she barely knows. He seems to represent everything her life is lacking- recklessness, impulse, independence.
 Tomás may also help Luisa fulfill an unusual obsession: she wants to track down a traveling troupe of Ukrainian dwarfs. According to newspaper reports, the Dwarfs recently escaped a Soviet circus touring Mexico. The imagined fates of these performers fill Luisa's surreal dreams as she settles in a beach community in Oaxaca. Surrounded by hippies, nudists, beachcombers, and eccentric storytellers, Luisa searches for someone, anyone, who will "promise, no matter what, to remain a mystery." It is a quest more easily envisioned than accomplished. As she wanders the shoreline and visits the local bar, Luisa begins to disappear dangerously into the lives of strangers on Zipolite, the "Beach of the Dead." Meanwhile, her father has set out to find his missing daughter. A mesmeric portrait of transgression and disenchantment unfolds. Sea Monsters is a brilliantly playful and supple novel about the moments and mysteries that shape us.
 

CHLOE ARIDJIS is a Mexican American writer who was born in New York and grew up in the Netherlands and Mexico. After completing her PhD at the University of Oxford in nineteenth-century French poetry and magic shows, she lived for nearly six years in Berlin, Her debut novel, Book of Clouds, has been published in eight languages and won the Prix du Premier Roman Étranger in France. Aridis sometimes writes about art and insomnia and was a guest curator at Tate Liverpool. In 2014, she was awarded a Guggenheim Fellowship. She lives in London

Winner of the 2020 PEN/Faulkner Award for Fiction, this intoxicating story of a teenage girl who trades her a middle-class upbringing for a quest for meaning in 1980s Mexico is "a surreal, captivating tale about the power of a youthful imagination, the lure of teenage transgression, and its inevitable disappointments" (Los Angeles Review of Books).

One autumn afternoon in Mexico City, seventeen-year-old Luisa does not return home from school. Instead, she boards a bus to the Pacific coast with Tomás, a boy she barely knows. He seems to represent everything her life is lacking―recklessness, impulse, independence.

Tomás may also help Luisa fulfill an unusual obsession: she wants to track down a traveling troupe of Ukrainian dwarfs. According to newspaper reports, the dwarfs recently escaped a Soviet circus touring Mexico. The imagined fates of these performers fill Luisa's surreal dreams as she settles in a beach community in Oaxaca. Surrounded by hippies, nudists, beachcombers, and eccentric storytellers, Luisa searches for someone, anyone, who will "promise, no matter what, to remain a mystery." It is a quest more easily envisioned than accomplished. As she wanders the shoreline and visits the local bar, Luisa begins to disappear dangerously into the lives of strangers on Zipolite, the "Beach of the Dead."

Meanwhile, her father has set out to find his missing daughter. A mesmeric portrait of transgression and disenchantment unfolds. Set to a pulsing soundtrack of Joy Division, Nick Cave, and Siouxsie and the Banshees, Sea Monsters is a brilliantly playful and supple novel about the moments and mysteries that shape us.

"Aridjis is deft at conjuring the teenage swooniness that apprehends meaning below every surface. Like Sebald's or Cusk's, her haunted writing patrols its own omissions . . . The figure of the shipwreck looms large for Aridjis. It becomes a useful lens through which to see this book, which is self-contained, inscrutable, and weirdly captivating, like a salvaged object that wants to return to the sea." ―Katy Waldman, The New Yorker

Sea Monsters

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John McPhee

The Pulitzer Prize-winning view of the continent, across the fortieth parallel and down through 4.6 billion years

Twenty years ago, when John McPhee began his journeys back and forth across the United States, he planned to describe a cross section of North America at about the fortieth parallel and, in the process, come to an understanding not only of the science but of the style of the geologists he traveled with. The structure of the book never changed, but its breadth caused him to complete it in stages, under the overall title Annals of the Former World.

Like the terrain it covers, Annals of the Former World tells a multilayered tale, and the reader may choose one of many paths through it. As clearly and succinctly written as it is profoundly informed, this is our finest popular survey of geology and a masterpiece of modern nonfiction.

Annals of the Former World is the winner of the 1999 Pulitzer Prize for Nonfiction.

John McPhee was born in Princeton, New Jersey, and was educated at Princeton University and Cambridge University. His writing career began at Time magazine and led to his long association with The New Yorker, where he has been a staff writer since 1965. The same year he published his first book, A Sense of Where You Are, with FSG, and soon followed with The Headmaster (1966), Oranges (1967), The Pine Barrens (1968), A Roomful of Hovings and Other Profiles (collection, 1969), The Crofter and the Laird (1969), Levels of the Game (1970), Encounters with the Archdruid (1972), The Deltoid Pumpkin Seed (1973), The Curve of Binding Energy (1974), Pieces of the Frame (collection, 1975), and The Survival of the Bark Canoe (1975). Both Encounters with the Archdruid and The Curve of Binding Energy were nominated for National Book Awards in the category of science.

The Pulitzer Prize-winning view of the continent, across the fortieth parallel and down through 4.6 billion years

Twenty years ago, when John McPhee began his journeys back and forth across the United States, he planned to describe a cross section of North America at about the fortieth parallel and, in the process, come to an understanding not only of the science but of the style of the geologists he traveled with. The structure of the book never changed, but its breadth caused him to complete it in stages, under the overall title Annals of the Former World.

Like the terrain it covers, Annals of the Former World tells a multilayered tale, and the reader may choose one of many paths through it. As clearly and succinctly written as it is profoundly informed, this is our finest popular survey of geology and a masterpiece of modern nonfiction.

Annals of the Former World is the winner of the 1999 Pulitzer Prize for Nonfiction.

Annals of the Former World

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Enrique Vila-Matas

Jonathan Dunne

A marvelous novel by one of Spain's most important contemporary authors, in which a clerk in a Barcelona office takes us on a romping tour of world literature.

In Bartleby & Co., an enormously enjoyable novel, Enrique Vila-Matas tackles the theme of silence in literature: the writers and non-writers who, like the scrivener Bartleby of the Herman Melville story, in answer to any question or demand, replies: "I would prefer not to." Addressing such "artists of refusal" as Robert Walser, Robert Musil, Arthur Rimbaud, Marcel Duchamp, Herman Melville, and J. D. Salinger, Bartleby & Co. could be described as a meditation: a walking tour through the annals of literature. Written as a series of footnotes (a non-work itself), Bartleby embarks on such questions as why do we write, why do we exist? The answer lies in the novel itself: told from the point of view of a hermetic hunchback who has no luck with women, and is himself unable to write, Bartleby is utterly engaging, a work of profound and philosophical beauty.

Tells the story of a hunchback who is a failed writer that has no luck with women. He is a self-described "Bartleby", named after the Herman Melville character; someone who, when asked to reveal information about themselves, will respond that they "would prefer not to."

Bartleby and Co

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Patricia Lockwood

FINALIST FOR THE 2021 BOOKER PRIZE & A NEW YORK TIMES TOP 10 BOOK OF 2021 “A book that reads like a prose poem, at once sublime, profane, intimate, philosophical, witty and, eventually, deeply moving.” —New York Times Book Review, Editors’ Choice “Wow. I can’t remember the last time I laughed so much reading a book. What an inventive and startling writer…I’m so glad I read this. I really think this book is remarkable.” —David Sedaris From "a formidably gifted writer" (The New York Times Book Review), a book that asks: Is there life after the internet? As this urgent, genre-defying book opens, a woman who has recently been elevated to prominence for her social media posts travels around the world to meet her adoring fans. She is overwhelmed by navigating the new language and etiquette of what she terms "the portal," where she grapples with an unshakable conviction that a vast chorus of voices is now dictating her thoughts. When existential threats--from climate change and economic precariousness to the rise of an unnamed dictator and an epidemic of loneliness--begin to loom, she posts her way deeper into the portal's void. An avalanche of images, details, and references accumulate to form a landscape that is post-sense, post-irony, post-everything. "Are we in hell?" the people of the portal ask themselves. "Are we all just going to keep doing this until we die?" Suddenly, two texts from her mother pierce the fray: "Something has gone wrong," and "How soon can you get here?" As real life and its stakes collide with the increasingly absurd antics of the portal, the woman confronts a world that seems to contain both an abundance of proof that there is goodness, empathy, and justice in the universe, and a deluge of evidence to the contrary. Fragmentary and omniscient, incisive and sincere, No One Is Talking About This is at once a love letter to the endless scroll and a profound, modern meditation on love, language, and human connection from a singular voice in American literature.

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Emil Ferris

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Richard Ford

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Makbara

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Our Andromeda

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Such Fine Boys

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Best of Myles

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The Narrow Road to the Deep North

Norman Manea; Linda Coverdale

Compulsory Happiness

Deb Olin Unferth

Wait till You See Me Dance

Richard Flanagan

The Narrow Road to the Deep North

Patrick Modiano; Mark Polizzotti; J. M. G. Le Clézio

Such Fine Boys

Norman Manea; Linda Coverdale

Compulsory Happiness

Jon Mcgregor

Reservoir 13

Aoko Matsuda; Polly Barton

Where the Wild Ladies Are

Chloe Aridjis

Sea Monsters

John McPhee

Annals of the Former World

Enrique Vila-Matas; Jonathan Dunne

Bartleby and Co

Patricia Lockwood

No One Is Talking about This

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