Heavy Paperback (2 to 4 lbs)

Virginia

The Au Pair Affair

Lucy Score

Dominic was staring at me like he couldn't decide whether to chop me into pieces or pull my hair and French kiss me. Dominic I got her fired. Okay, so I'd had a bad day and took it out on a bystander in a pizza shop. But there's nothing innocent about Ally Morales. She proves that the first day at her new job... in my office... after being hired by my mother. So maybe her colorful, annoying, inexplicably alluring personality brightens up the magazine's offices that have felt like a prison for the past year. Maybe I like that she argues with me in front of the editorial staff. And maybe my after-hours fantasies are haunted by those brown eyes and that sharp tongue. But that doesn't mean that I'm going to be the next Russo man to take advantage of his position. I might be a second-generation son of a... fill in the blank, but I am not my father. She's working herself to death at half a dozen dead-end jobs for some secret reason she doesn't feel like sharing with me. And I'm going to fix it all. Don't accuse me of caring. She's nothing more than a puzzle to be solved. If I can get her to quit, I can finally peel back all those layers. Then I can go back to salvaging the family name and forget all about the dancing, beer-slinging brunette. Ally Ha. Hold my beer, Grumpy Grump Face. Author's Note: A steamy, swoony workplace romantic comedy with a grumpy boss hero determined to save the day and a plucky heroine who is starting to wonder if there might actually be a beating heart beneath her boss's sexy vests.

By a Thread

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Things We Never Got Over

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Sandro Veronesi

Elena Pala

Light Paperback (1 lb or less)

A Novel

A NEW YORKER BEST BOOK OF THE YEAR

"The Hummingbird is a remarkable accomplishment, a true gift to the world." --Michael Cunningham

"Long considered one of Italy's leading writers, Sandro Veronesi has re-written the family saga. Ardent, gripping, and inventive to the core, it has already been hailed a classic."--Jhumpa Lahiri

"The Hummingbird is a masterly novel, a brilliantly conceived mosaic of love and tragedy."--Ian McEwan

The #1 international sensation from a master of European literature--winner of Italy's Premio Strega--a saga of a Florentine family from the 1960s to the present that brilliantly captures the power of history and the multi-faceted experience of life itself as it explores how we contend with uncontrollable forces that both buffet and buoy us. 

Marco Carrera is "the hummingbird," a man with an almost supernatural ability to remain still amid the chaos of an ever-changing world. Though his life is rife with emotional challenges--suffering the death of his sister and the absence of his brother; caring for his elderly parents; raising his granddaughter when her mother, Marco's own child, is no longer capable; loving an enigmatic woman--Marco carries on with a noble stoicism that belies an intensity for living. As the years pass and the arc of his life bends, Marco finds himself filled with joy for the future as the baton passes from him to the next generation. 

A beautiful and compelling journey through time told in myriad narrative styles, The Hummingbird is a story of suffering, happiness, loss, love, and hope--of a man who embodies the quiet heroism that defines daily life for countless ordinary folk. A thrilling novel about the need to look to the future with hope and live with intensity to the very end, Sandro Veronesi's masterpiece--eminently readable, rich in insight, and filled with interesting twists and revelations--is a portrait of human existence, the vicissitudes and vagaries that propel and ultimately define us

Translated from the Italian by Elena Pala

"A great novel, vibrating with life and death, happiness and pain, nostalgia and hope for the future." --Vanity Fair

"Everything that makes the novel worthwhile and engaging is here ... magnificent - moving, replete, beautiful." --The Guardian

The Hummingbird

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Anne Applebaum

Stalin's War on Ukraine

AN ECONOMIST BEST BOOK OF THE YEAR From the author of the Pulitzer Prize-winning Gulag and the National Book Award finalist Iron Curtain, a revelatory history of one of Stalin's greatest crimes--the consequences of which still resonate today In 1929 Stalin launched his policy of agricultural collectivization--in effect a second Russian revolution--which forced millions of peasants off their land and onto collective farms. The result was a catastrophic famine, the most lethal in European history. At least five million people died between 1931 and 1933 in the USSR. But instead of sending relief the Soviet state made use of the catastrophe to rid itself of a political problem. In Red Famine, Anne Applebaum argues that more than three million of those dead were Ukrainians who perished not because they were accidental victims of a bad policy but because the state deliberately set out to kill them. Devastating and definitive, Red Famine captures the horror of ordinary people struggling to survive extraordinary evil. Today, Russia, the successor to the Soviet Union, has placed Ukrainian independence in its sights once more. Applebaum's compulsively readable narrative recalls one of the worst crimes of the twentieth century, and shows how it may foreshadow a new threat to the political order in the twenty-first.

Red Famine

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Elizabeth D. Samet

Light Hardcover (1 lb or less)

American Amnesia and the Violent Pursuit of Happiness

"A remarkable book, from its title and subtitle to its last words . . . A stirring indictment of American sentimentality about war." --Robert G. Kaiser, The Washington Post

In Looking for the Good War, Elizabeth D. Samet reexamines the literature, art, and culture that emerged after World War II, bringing her expertise as a professor of English at West Point to bear on the complexity of the postwar period in national life. She exposes the confusion about American identity that was expressed during and immediately after the war, and the deep national ambivalence toward war, violence, and veterans--all of which were suppressed in subsequent decades by a dangerously sentimental attitude toward the United States' "exceptional" history and destiny.

Samet finds the war's ambivalent legacy in some of its most heavily mythologized figures: the war correspondent epitomized by Ernie Pyle, the character of the erstwhile G.I. turned either cop or criminal in the pulp fiction and feature films of the late 1940s, the disaffected Civil War veteran who looms so large on the screen in the Cold War Western, and the resurgent military hero of the post-Vietnam period. Taken together, these figures reveal key elements of postwar attitudes toward violence, liberty, and nation--attitudes that have shaped domestic and foreign policy and that respond in various ways to various assumptions about national identity and purpose established or affirmed by World War II.

As the United States reassesses its roles in Afghanistan and the Middle East, the time has come to rethink our national mythology: the way that World War II shaped our sense of national destiny, our beliefs about the use of American military force throughout the world, and our inability to accept the realities of the twenty-first century's decades of devastating conflict.

Looking for the Good War

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Kalli Beck

Kalli Beck

@kalli410582

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By a Thread

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Things We Never Got Over

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Tessa Bailey

The Au Pair Affair

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By a Thread

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Things We Never Got Over

Sandro Veronesi; Elena Pala

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Red Famine

Elizabeth D. Samet

Looking for the Good War

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