Griffin Dunne

Hardcover (1 to 2 lbs)

Indiana

A Family Memoir

Griffin Dunne’s first three decades of growing up among a family of larger-than-life characters and cultural forces in Hollywood and Manhattan were filled with extraordinary incident At nine, Sean Connery saved him from drowning. At thirteen, desperate to hook up with Janis Joplin, he attended his aunt Joan Didion and uncle John Gregory Dunne’s legendary L.A. party for the publication of Tom Wolfe’s The Electric Kool-Aid Acid Test. At sixteen, he got kicked out of boarding school, ending his institutional education for good. In his early 20s, he shared an apartment in Manhattan’s Hotel Des Artistes with his best friend and soulmate Carrie Fisher, while she was filming some sci-fi movie called Star Wars and he was a struggling actor working as a popcorn concessionaire at Radio City Music Hall. A few years later, he produced and starred in the now-iconic film After Hours, directed by Martin Scorsese. In the midst of it all, Griffin’s 22-year-old sister Dominique, a rising star in Hollywood, was brutally strangled to death by her ex-boyfriend, leading to one of the most infamous public trials of the 1980s, which ended in a travesty of justice that also somehow marked the beginning of their father Dominick Dunne’s career as a bestselling author of true crime narratives. And yet, for all its bold-face cast of characters and jaw-dropping scenes, The Friday Afternoon Club is no celebrity memoir. It is, down to its bones, a family story that brilliantly embraces the poignant absurdities and best and worst efforts of its loveable, infuriating, funny, and moving characters—its author most of all—finding wicked, self-deprecating humor and glints of surprising light in even the most harrowing and painful of circumstances.

The Friday Afternoon Club

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Jesmyn Ward

A Novel

From Jesmyn Ward—the two-time National Book Award winner, youngest winner of the Library of Congress Prize for Fiction, and MacArthur Fellow—comes a haunting masterpiece, sure to be an instant classic, about an enslaved girl in the years before the Civil War. “‘Let us descend,’ the poet now began, ‘and enter this blind world.’” —Inferno, Dante Alighieri Let Us Descend is a reimagining of American slavery, as beautifully rendered as it is heart-wrenching. Searching, harrowing, replete with transcendent love, the novel is a journey from the rice fields of the Carolinas to the slave markets of New Orleans and into the fearsome heart of a Louisiana sugar plantation. Annis, sold south by the white enslaver who fathered her, is the reader’s guide through this hellscape. As she struggles through the miles-long march, Annis turns inward, seeking comfort from memories of her mother and stories of her African warrior grandmother. Throughout, she opens herself to a world beyond this world, one teeming with spirits: of earth and water, of myth and history; spirits who nurture and give, and those who manipulate and take. While Ward leads readers through the descent, this, her fourth novel, is ultimately a story of rebirth and reclamation. From one of the most singularly brilliant and beloved writers of her generation, this miracle of a novel inscribes Black American grief and joy into the very land—the rich but unforgiving forests, swamps, and rivers of the American South. Let Us Descend is Jesmyn Ward’s most magnificent novel yet, a masterwork for the ages.

Let Us Descend

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Seraphina Nova Glass

Light Paperback (1 lb or less)

The perfect neighborhood can be the perfect place to hide...

Who wouldn't want to live in Brighton Hills? This exclusive community on the Oregon coast is the perfect mix of luxury and natural beauty. Stunning houses nestle beneath mighty Douglas firs, and lush backyards roll down to the lakefront. It's the kind of place where neighbors look out for one another. Sometimes a little too closely...

Cora thinks her husband, Finn, is cheating--she just needs to catch him in the act. That's where Paige comes in. Paige lost her son to a hit-and-run last year, and she's drowning in the kind of grief that makes people do reckless things like spying on the locals, searching for proof that her son's death was no accident...and agreeing to Cora's plan to reveal what kind of man Finn really is. All the while, their reclusive new neighbor, Georgia, is acting more strangely every day. But what could such a lovely young mother possibly be hiding?

When you really start to look beyond the airy open floor plans and marble counters, Brighton Hills is filled with secrets. Some big, some little, some deadly. And one by one, they're about to be revealed... "A writer to watch." --Publishers Weekly

On a Quiet Street

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Raechele L. Pope

Amy L. Reynolds

John A. Mueller

Harold E. Cheatham

Philosophy

Multicultural Competence in Student Affairs

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Charmaine L. Wijeyesinghe

Paperback (1 to 2 lbs)

Integrating Emerging Frameworks, Second Edition

For well over a century, the United Fruit Company (UFCO) has been the most vilified multinational corporation operating in Latin America. Criticism of the UFCO has been widespread, ranging from politicians to consumer activists, and from labor leaders to historians, all portraying it as an overwhelmingly powerful corporation that shaped and often exploited its host countries. In this first history of the UFCO in Colombia, Marcelo Bucheli argues that the UFCO's image as an all-powerful force in determining national politics needs to be reconsidered. Using a previously unexplored source—the internal archives of Colombia's UFCO operation—Bucheli reveals that before 1930, the UFCO worked alongside a business-friendly government that granted it generous concessions and repressed labor unionism. After 1930, however, the country experienced dramatic transformations including growing nationalism, a stronger labor movement, and increasing demands by local elites for higher stakes in the banana export business. In response to these circumstances, the company abandoned production, selling its plantations (and labor conflicts) to local growers, while transforming itself into a marketing company. The shift was endorsed by the company's shareholders and financial analysts, who preferred lower profits with lower risks, and came at a time in which the demand for bananas was decreasing in America. Importantly, Bucheli shows that the effect of foreign direct investment was not unidirectional. Instead, the agency of local actors affected corporate strategy, just as the UFCO also transformed local politics and society.

New Perspectives on Racial Identity Development

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Carolyn Huynh

For fans of Jonathan Tropper, KJ Dell'Antonia, and Kevin Kwan, this "sharp, smart, and gloriously extra" (Nancy Jooyoun Kim, The Last Story of Mina Lee) debut follows a family of estranged Vietnamese women--cursed to never know love or happiness--as they reunite when a psychic makes a startling prediction.

Everyone in Orange County's Little Saigon knew that the Duong sisters were cursed.

It started with their ancestor, Oanh, who dared to leave her marriage for true love--so a fearsome Vietnamese witch cursed Oanh and her descendants so that they would never find love or happiness, and the Duong women would give birth to daughters, never sons.

Oanh's current descendant Mai Nguyen knows this curse well. She's divorced, and after an explosive disagreement a decade ago, she's estranged from her younger sisters, Minh Pham (the middle and the mediator) and Khuyen Lam (the youngest who swears she just runs humble coffee shops and nail salons, not Little Saigon's underground). Though Mai's three adult daughters, Priscilla, Thuy, and Thao, are successful in their careers (one of them is John Cho's dermatologist!), the same can't be said for their love lives. Mai is convinced they might drive her to an early grave.

Desperate for guidance, she consults Auntie Hua, her trusted psychic in Hawaii, who delivers an unexpected prediction: this year, her family will witness a marriage, a funeral, and the birth of a son. This prophecy will reunite estranged mothers, daughters, aunts, and cousins--for better or for worse.

A multi-narrative novel brimming with levity and candor, The Fortunes of Jaded Women is about mourning, meddling, celebrating, and healing together as a family. It shows how Vietnamese women emerge victorious, even if the world is against them.

The Fortunes of Jaded Women

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Lucy Holland

Inspired by the traditional murder ballad "The Two Sisters", set against the rich backdrop of ancient Britain, Sistersong is a dark and lyrical tale of siblings and sorcery from a spellbinding new voice. In the ancient kingdom of Dumnonia, there is old magic to be found in the whisper of the wind, the roots of the trees, the curl of the grass. King Cador knew this once, but now the land has turned from him, calling instead to his three children. Riva can cure others, but can't seem to heal her own deep scars. Keyne battles to be accepted for who he truly is--the king's son. And Sinne dreams of seeing the world, of finding adventure. All three fear a life of confinement within the walls of the hold, their people's last bastion of strength against the invading Saxons. However, change comes on the day ash falls from the sky. It brings with it Myrdhin, meddler and magician. And Tristan, a warrior whose secrets will tear them apart. Riva, Keyne and Sinne--three siblings entangled in a web of treachery and heartbreak, who must fight to forge their own paths. Their story will shape the destiny of Britain. "​From its opening pages, Sistersong transports you to a time period often overlooked, and spins a tale of family, loyalty, and the triumph of becoming the person you were always meant to be. I was utterly captivated from the beginning to the tragic, bittersweet end." --Genevieve Gornichec, author of The Witch's Heart "If you like poetic reimaginings of mythology, such as Madeline Miller's Circe and The Song of Achilles, you need to make sure to pick up Sistersong." --Grimdark Magazine

Sistersong

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Raven Leilani

A NEW YORK TIMES NOTABLE BOOK OF THE YEAR A BEST BOOK OF THE YEAR: NPR, O Magazine, Vanity Fair, Los Angeles Times, Glamour, Shondaland, The New York Times Book Review, Boston Globe, Buzzfeed, Kirkus, Time, Good Housekeeping, InStyle, The Guardian, Literary Hub, Electric Literature, Self, The New York Public Library, Town & Country, Wired, Boston.com, Happy Mag, New Statesman, Vox, Shelf Awareness, Chatelaine, The Undefeated, Apartment Therapy, Brooklyn Based, The End of the World Review, Exile in Bookville, Lit Reactor, BookPage, i-D A FAVORITE BOOK OF THE YEAR: The New Yorker, Barack Obama A BEST BOOK FOR HOLIDAY GIFTS: AV Club, Chicago Tribune, New York Magazine/The Strategist, The Rumpus WINNER of the Kirkus Prize and the Center for Fiction First Novel Prize AN INSTANT NEW YORK TIMES BESTSELLER NATIONAL INDIE BESTSELLER * LOS ANGELES TIMES BESTSELLER * WASHINGTON POST BESTSELLER "So delicious that it feels illicit . . . Raven Leilani’s first novel reads like summer: sentences like ice that crackle or melt into a languorous drip; plot suddenly, wildly flying forward like a bike down a hill." —Jazmine Hughes, The New York Times Book Review “An irreverent intergenerational tale of race and class that’s blisteringly smart and fan-yourself sexy.” —Michelle Hart, O: The Oprah Magazine No one wants what no one wants. And how do we even know what we want? How do we know we’re ready to take it? Edie is stumbling her way through her twenties—sharing a subpar apartment in Bushwick, clocking in and out of her admin job, making a series of inappropriate sexual choices. She is also haltingly, fitfully giving heat and air to the art that simmers inside her. And then she meets Eric, a digital archivist with a family in New Jersey, including an autopsist wife who has agreed to an open marriage—with rules. As if navigating the constantly shifting landscapes of contemporary sexual manners and racial politics weren’t hard enough, Edie finds herself unemployed and invited into Eric’s home—though not by Eric. She becomes a hesitant ally to his wife and a de facto role model to his adopted daughter. Edie may be the only Black woman young Akila knows. Irresistibly unruly and strikingly beautiful, razor-sharp and slyly comic, sexually charged and utterly absorbing, Raven Leilani’s Luster is a portrait of a young woman trying to make sense of her life—her hunger, her anger—in a tumultuous era. It is also a haunting, aching description of how hard it is to believe in your own talent, and the unexpected influences that bring us into ourselves along the way.

Luster

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Naima Coster

When a county initiative in the Piedmont of North Carolina forces the students at a mostly black public school on the east side to move across town to a nearly all-white high school on the west, the community rises in outrage. For two students, quiet and aloof Gee and headstrong Noelle, these divisions will extend far beyond their schooling. As their paths collide and overlap over the course of thirty years, their two seemingly disconnected families begin to form deeply knotted, messy ties that shape the trajectory of their lives. On one side of the school integration debate is Jade, Gee's steely, single, black mother, grieving for her murdered partner, and determined for her son to have the best chance at a better life. On the other, is Noelle's enterprising mother, Lacey May, who refuses to see her half-Latina daughters as anything but white. The choices these mothers make will resound for years to come. And twenty years later, when Lacey's daughters return home to visit her in hospital, they're forced to confront the ways their parents' decisions continue to affect the life they live and the people they love. WHAT'S MINE AND YOURS is a sweeping, rich tapestry of familial bond and identity, and a sharp, poignant look at the ways race affects even the closest of relationships. This is not just one love story, but many: It's the all-consuming volatile passion of young lovers and the quieter comfort of steady companionship; it's the often tenuous but unbreakable bond between siblings; and it's the unconditional love that runs between parent and child and encompasses adoration, contempt and forgiveness. With gorgeous prose, Naima Coster explores the unique organism that is every family: what breaks them apart and how they come back together.

What's Mine and Yours

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Colson Whitehead

NATIONAL BOOK CRITICS CIRCLE NOMINEE * A NEW YORK TIMES NOTABLE BOOK OF THE YEAR * NEW YORK TIMES BEST SELLER * From the two-time Pulitzer Prize-winning author of The Underground Railroad and The Nickel Boys, a gloriously entertaining novel of heists, shakedowns, and rip-offs set in Harlem in the 1960s.

"Ray Carney was only slightly bent when it came to being crooked..." To his customers and neighbors on 125th street, Carney is an upstanding salesman of reasonably priced furniture, making a decent life for himself and his family. He and his wife Elizabeth are expecting their second child, and if her parents on Striver's Row don't approve of him or their cramped apartment across from the subway tracks, it's still home. 

Few people know he descends from a line of uptown hoods and crooks, and that his façade of normalcy has more than a few cracks in it. Cracks that are getting bigger all the time. 

Cash is tight, especially with all those installment-plan sofas, so if his cousin Freddie occasionally drops off the odd ring or necklace, Ray doesn't ask where it comes from. He knows a discreet jeweler downtown who doesn't ask questions, either. 

Then Freddie falls in with a crew who plan to rob the Hotel Theresa--the "Waldorf of Harlem"--and volunteers Ray's services as the fence. The heist doesn't go as planned; they rarely do. Now Ray has a new clientele, one made up of shady cops, vicious local gangsters, two-bit pornographers, and other assorted Harlem lowlifes. 

Thus begins the internal tussle between Ray the striver and Ray the crook. As Ray navigates this double life, he begins to see who actually pulls the strings in Harlem. Can Ray avoid getting killed, save his cousin, and grab his share of the big score, all while maintaining his reputation as the go-to source for all your quality home furniture needs? 

Harlem Shuffle's ingenious story plays out in a beautifully recreated New York City of the early 1960s. It's a family saga masquerading as a crime novel, a hilarious morality play, a social novel about race and power, and ultimately a love letter to Harlem. 

But mostly, it's a joy to read, another dazzling novel from the Pulitzer Prize and National Book Award-winning Colson Whitehead.

Harlem Shuffle

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Joanne Ramos

"Nestled in New York's Hudson Valley is a luxury retreat boasting every amenity: organic meals, personal fitness trainers, daily massages--and all of it for free. In fact, you're paid big money to stay here--more than you've ever dreamed of. The catch? For nine months, you cannot leave the grounds, your movements are monitored, and you are cut off from your former life while you dedicate yourself to the task of producing the perfect baby. For someone else. Jane, an immigrant from the Philippines, is in desperate search of a better future when she commits to being a "Host" at Golden Oaks--or the Farm, as residents call it. But now pregnant, fragile, consumed with worry for her family, Jane is determined to reconnect with her life outside. Yet she cannot leave the Farm or she will lose the life-changing fee she'll receive on the delivery of her child"--

The Farm

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Kaui Hart Hemmings

Now a major motion picture starring George Clooney and directed by Alexander Payne Fortunes have changed for the King family, descendants of Hawaiian royalty and one of the state’s largest landowners. Matthew King’s daughters—Scottie, a feisty ten-year-old, and Alex, a seventeen-year-old recovering drug addict—are out of control, and their charismatic, thrill-seeking mother, Joanie, lies in a coma after a boat-racing accident. She will soon be taken off life support. As Matt gathers his wife’s friends and family to say their final goodbyes, a difficult situation is made worse by the sudden discovery that there’s one person who hasn’t been told: the man with whom Joanie had been having an affair. Forced to examine what they owe not only to the living but to the dead, Matt, Scottie, and Alex take to the road to find Joanie’s lover, on a memorable journey that leads to unforeseen humor, growth, and profound revelations.

The Descendants

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Michael Ian Black

Light Hardcover (1 lb or less)

Tales of Marriage, Sex, Death, and Other Humiliations

Following his first book of hilarious essays in My Custom Van, Michael Ian Black expands his commentary to the subject that has made him one of the most-followed celebrities on Twitter: his irreverent take on the joys of suburban family life. “You’re not doing it right.” Michael Ian Black has been hearing these five words all his life. And now—on the eve of his fortieth birthday—he is finally beginning to wonder why. . . . As a husband and father living in the suburbs, Michael asks the question so many of us ask ourselves at one point or another: How did I end up here? (And also: If Fat Kevin Federline succumbs to his own wasted potential, what does that mean for the rest of us?) The answers to these questions, and others that you probably would have never thought to ask, are painstakingly detailed in You’re Not Doing It Right, Michael Ian Black’s debut memoir. Darkly humorous and told with raw honesty, Michael takes on his childhood, his marriage, his children, and his career with unexpected candor and deadpan wit in this funny-because-it’s-true essay collection. He shares the neuroses that have plagued him since childhood and how they shaped him into the man he is today. Stories include: How his lesbian feminist mother raised him to be a tough but sensitive New Seventies Man like Alan Alda; how his camp girlfriend dumped him for a guy nicknamed Taco; how he backed into marrying his wife by breaking up with her first; how he is completely undone by hearing a Creed song on the radio on the eve of becoming a father; and how he learned to use Santa Claus as a “Bad Cop” threat to control his kids year round. From the comedian who brought you Stella and The State, Michael Ian Black says the kinds of things you’re afraid to admit. Here he is: naked, exposed, a little chilly, and understandably shriveled.

You're Not Doing It Right

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Helene Cooper

In Search of a Lost African Childhood

Journalist Helene Cooper examines the violent past of her home country Liberia and the effects of its 1980 military coup in this deeply personal memoir and finalist for the 2008 National Book Critics Circle Award. Helene Cooper is “Congo,” a descendant of two Liberian dynasties—traced back to the first ship of freemen that set sail from New York in 1820 to found Monrovia. Helene grew up at Sugar Beach, a twenty-two-room mansion by the sea. Her childhood was filled with servants, flashy cars, a villa in Spain, and a farmhouse up-country. It was also an African childhood, filled with knock foot games and hot pepper soup, heartmen and neegee. When Helene was eight, the Coopers took in a foster child—a common custom among the Liberian elite. Eunice, a Bassa girl, suddenly became known as “Mrs. Cooper’s daughter.” For years the Cooper daughters—Helene, her sister Marlene, and Eunice—blissfully enjoyed the trappings of wealth and advantage. But Liberia was like an unwatched pot of water left boiling on the stove. And on April 12, 1980, a group of soldiers staged a coup d'état, assassinating President William Tolbert and executing his cabinet. The Coopers and the entire Congo class were now the hunted, being imprisoned, shot, tortured, and raped. After a brutal daylight attack by a ragtag crew of soldiers, Helene, Marlene, and their mother fled Sugar Beach, and then Liberia, for America. They left Eunice behind. A world away, Helene tried to assimilate as an American teenager. At the University of North Carolina at Chapel Hill she found her passion in journalism, eventually becoming a reporter for the Wall Street Journal and the New York Times. She reported from every part of the globe—except Africa—as Liberia descended into war-torn, third-world hell. In 2003, a near-death experience in Iraq convinced Helene that Liberia—and Eunice—could wait no longer. At once a deeply personal memoir and an examination of a violent and stratified country, The House at Sugar Beach tells of tragedy, forgiveness, and transcendence with unflinching honesty and a survivor's gentle humor. And at its heart, it is a story of Helene Cooper’s long voyage home.

The House at Sugar Beach

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A tale told from multiple perspectives traces the complicated relationship between Ann and Wade on a rugged landscape and how they came together in the aftermath of his first wife's imprisonment for a violent murder.

Idaho

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A Memoir

This riveting memoir is the story of a 16-year-old girl and her adopted, black, 16-year-old brother in Indiana who are sent to a reform school in the Dominican Republic by their violent father and distant mother more involved with her church's missionaries than her own children.

Jesus Land

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También de este lado hay sueños. On this side too, there are dreams. Already being hailed as "a Grapes of Wrath for our times" and "a new American classic", American Dirt is a rare exploration into the inner hearts of people willing to sacrifice everything for a glimmer of hope. If it’s only a better life you seek, seek it elsewhere...This path is only for people who have no choice, no other option, only violence and misery behind you. And your journey will grow even more treacherous from here. Everything is working against you. —American Dirt Lydia Quixano Perez lives in the Mexican city of Acapulco. She runs a bookstore. She has a son, Luca, the love of her life, and a wonderful husband who is a journalist. And while there are cracks beginning to show in Acapulco because of the drug cartels, her life is, by and large, fairly comfortable. Even though she knows they’ll never sell, Lydia stocks some of her all-time favorite books in her store. And then one day a man enters the shop to browse and comes up to the register with four books he would like to buy—two of them her favorites. Javier is erudite. He is charming. And, unbeknownst to Lydia, he is the jefe of the newest drug cartel that has gruesomely taken over the city. When Lydia’s husband’s tell-all profile of Javier is published, none of their lives will ever be the same. Forced to flee, Lydia and eight-year-old Luca soon find themselves miles and worlds away from their comfortable middle-class existence. Instantly transformed into migrants, Lydia and Luca ride la bestia—trains that make their way north toward the United States, which is the only place Javier’s reach doesn’t extend. As they join the countless people trying to reach el norte, Lydia soon sees that everyone is running from something. But what exactly are they running to? American Dirt will leave readers utterly changed when they finish reading it. It is a page-turner, it is a literary achievement, it is filled with poignancy, drama, and humanity on every page. It is one of the most important books for our times.

American Dirt (Oprah's Book Club)

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A NEW YORK TIMES BEST SELLER * The moving story of an undocumented child living in poverty in the richest country in the world--an incandescent debut from an astonishing new talent * A TODAY SHOW #READWITHJENNA PICK

In Chinese, the word for America, Mei Guo, translates directly to "beautiful country." Yet when seven-year-old Qian arrives in New York City in 1994 full of curiosity, she is overwhelmed by crushing fear and scarcity. In China, Qian's parents were professors; in America, her family is "illegal" and it will require all the determination and small joys they can muster to survive.

In Chinatown, Qian's parents labor in sweatshops. Instead of laughing at her jokes, they fight constantly, taking out the stress of their new life on one another. Shunned by her classmates and teachers for her limited English, Qian takes refuge in the library and masters the language through books, coming to think of The Berenstain Bears as her first American friends. And where there is delight to be found, Qian relishes it: her first bite of gloriously greasy pizza, weekly "shopping days," when Qian finds small treasures in the trash lining Brooklyn's streets, and a magical Christmas visit to Rockefeller Center--confirmation that the New York City she saw in movies does exist after all.

But then Qian's headstrong Ma Ma collapses, revealing an illness that she has kept secret for months for fear of the cost and scrutiny of a doctor's visit. As Ba Ba retreats further inward, Qian has little to hold onto beyond his constant refrain: Whatever happens, say that you were born here, that you've always lived here.

Inhabiting her childhood perspective with exquisite lyric clarity and unforgettable charm and strength, Qian Julie Wang has penned an essential American story about a family fracturing under the weight of invisibility, and a girl coming of age in the shadows, who never stops seeking the light.

Beautiful Country

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#1 NEW YORK TIMES BESTSELLER ONE OF BARACK OBAMA'S FAVORITE BOOKS OF THE YEAR NAMED A BEST BOOK OF 2020 BY THE NEW YORK TIMES * THE WASHINGTON POST * NPR * PEOPLE * TIME MAGAZINE* VANITY FAIR * GLAMOUR 2021 WOMEN'S PRIZE FINALIST “Bennett’s tone and style recalls James Baldwin and Jacqueline Woodson, but it’s especially reminiscent of Toni Morrison’s 1970 debut novel, The Bluest Eye.” —Kiley Reid, Wall Street Journal “A story of absolute, universal timelessness …For any era, it's an accomplished, affecting novel. For this moment, it's piercing, subtly wending its way toward questions about who we are and who we want to be….” – Entertainment Weekly From The New York Times-bestselling author of The Mothers, a stunning new novel about twin sisters, inseparable as children, who ultimately choose to live in two very different worlds, one black and one white. The Vignes twin sisters will always be identical. But after growing up together in a small, southern black community and running away at age sixteen, it's not just the shape of their daily lives that is different as adults, it's everything: their families, their communities, their racial identities. Many years later, one sister lives with her black daughter in the same southern town she once tried to escape. The other secretly passes for white, and her white husband knows nothing of her past. Still, even separated by so many miles and just as many lies, the fates of the twins remain intertwined. What will happen to the next generation, when their own daughters' storylines intersect? Weaving together multiple strands and generations of this family, from the Deep South to California, from the 1950s to the 1990s, Brit Bennett produces a story that is at once a riveting, emotional family story and a brilliant exploration of the American history of passing. Looking well beyond issues of race, The Vanishing Half considers the lasting influence of the past as it shapes a person's decisions, desires, and expectations, and explores some of the multiple reasons and realms in which people sometimes feel pulled to live as something other than their origins. As with her New York Times-bestselling debut The Mothers, Brit Bennett offers an engrossing page-turner about family and relationships that is immersive and provocative, compassionate and wise.

The Vanishing Half

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Hollywood starlet Mindy Kaling shares her ongoing, laugh-out-loud journey to find contentment and excitement in her adult life.

Why Not Me?

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Stories

The eight linked stories that comprise Aimee Phan's chilling debut are inspired by "Operation Babylift," the evacuation of thousands of orphans from Vietnam to America weeks before the fall of Saigon. Moving effortlessly between the war-torn homeland and Orange County's "Little Saigon," Phan chronicles the journeys of four such orphans. Passionate and beautifully written, We Should Never Meet is an utterly fresh reconsideration of the Vietnam War for a new generation and heralds the arrival of one of "the very best of the new wave of Asian-American authors" (David Wong Louie).

We Should Never Meet

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"Bentez's third novel seamlessly blends fact with imagination, evoking the trauma of war more vividly than any newspaper account . . . beautifully illuminating." (Publishers Weekly starred review)

Sandra Bentez received international acclaim for her first two novels: A Place Where the Sea Remembers ("A quietly stunning work that leaves soft tracks in the heart" --Washington Post Book World) and Bitter Grounds ("The kind of book that fills your dreams for weeks" --Isabel Allende). Now she returns with an unforgettable tale of life in war-torn El Salvador.

The Weight of All Things

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Orphan Train

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A Feel Good Guide to Staying Fat, Loud, Lazy and Stupid

The four-time Emmy-nominated comic satirist of Rescue Me presents irreverent cultural observations about how society is taking itself too seriously, in an account that shares anecdotes from his Irish-Catholic upbringing, high-pressure family life and work as a performing artist, in an edition with a new introduction. Reprint. A best-selling book.

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